John Everett Millais

239 artworks

painter and illustrator

Born 6/8/1829 - Died 8/13/1896

{"Id":77,"Name":"John Everett Millais","Biography":"Millais was born in Southampton in 1829, the son of John William and Emily Mary Millais. His father came from a well-known Jersey family, and his mother nee Evamy came from a prosperous family of Southampton saddlers. Emily Millais had been married previously to one Enoch Hodgkinson, by whom she had two sons. By her marriage to John William Millais she had, as well as John Everett a daughter, and another son William Henry, who was the close companion of his famous younger brother throughout his life, and a well-known painter of watercolours The family initially moved back to Jersey and then to London in 1838, specifically to further the artistic education of their precocious son. Armed with a letter of introduction they visited Sir Martin Archer Shee, the President of the Royal Academy. As a result of this meeting Millais became the youngest ever pupil at the Royal Academy Schools in the summer of 1840. He was known at the RA Schools as \u0022The Child,\u0022 and his talent caused considerable jealousy amongst fellow students. Millais was very thin, extremely agile, and physically brave, and was well-able to cope with the bullying he encountered at this time. At the RA Schools he met \u003Ca href=\u0022/asp/database/art.asp?aid=914\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EWilliam Holman Hunt\u003C/a\u003E, who became a lifelong friend, and \u003Ca href=\u0022/asp/database/art.asp?aid=76\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EDante Gabriel Rossetti\u003C/a\u003E. From the meeting of these three youthful idealists the Pre-Raphaelite Brotherhood was born.\u003Cbr\u003E\u003Cbr\u003EMillais was by far the most naturally gifted of the founders of the PRB. His early paintings in the PR style were amazingly accomplished for such a young artist. He produced pictures which were minutely observed, with a painstaking attention to detail, which meant that painting them was a slow and laborious process. He would typically paint landscape backgrounds in the summer, and add figures in the foreground in his studio during the winter. Each of his pictures was also the result of a large number of detailed preparatory drawings. He went to considerable trouble and expense, even as an impecunious young artist to find the right props, a notable example of this being the dress worn by Ophelia, for which he paid four pounds a considerable sum at that time.\u003Cbr\u003E\u003Cbr\u003EThe first paintings exhibited at the RA by Millais and the other Pre-Raphaelites were initially greeted with derision, followed by vicious critical attacks, the most notorious of these being that by Charles Dickens, on the famous early painting \u003Cu\u003EChrist in The House of His Parents\u003C/u\u003E, exhibited at the RA in 1850, in which Dickens spoke of the young Jesus as \u0022a hideous wry-necked blubbering boy.\u0022 It is difficult for us to understand today why this particular work was felt to be so objectionable, but the depiction of the family of Christ as ordinary people was regarded as very disrespectful. When it emerged that this group were called the Pre-Raphaelites, and that they did not agree with the commonly held view that Raphael was the greatest artist of all time critical attacks on them reached a crescendo. As a result of these attacks \u003Ca href=\u0022/asp/database/art.asp?aid=2790\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EJohn Ruskin\u003C/a\u003E, the foremost art critic of his day was asked to intervene, which he did writing a letter to \u003Cu\u003EThe Times\u003C/u\u003E on behalf of the young artists. From this intervention came the meeting between Ruskin and Millais, which was to result in the most famous sexual scandal of the day. Ruskin had married Euphemia Chalmers Grey, daughter of a Scottish family living near Perth. Ruskin, his wife, and Millais set off together on a holiday in Scotland, and a strong attraction developed between Effie Ruskin and Millais. It transpired that Ruskin had not consummated the marriage. It is amazing for us today to learn that Effie knew that something was missing from her marriage, but that she was so innocent she did not know what it was. Following an acrimonious and notorious divorce case, Effie married Millais, and rapidly produced eight children. It is interesting to note that the publicly-humiliated Ruskin had the generosity of spirit to continue to provide critical support for the artist.\u003Cbr\u003E\u003Cbr\u003E \u003Ccenter\u003E\u003Cb\u003EThe Move Away From The Pre-Raphaelite Style.\u003C/b\u003E\u003C/center\u003E\u003Cbr\u003EThe marriage of the John and Effie Millais proved to be a catalyst in the evolution of his style which started in the early 1860s. Millais said that it was no longer economically possible for him to spend the whole day painting an area \u0022no larger than a five shilling piece.\u0022 Thus he changed to a broader, looser, more spontaneous style of painting, with a strong element of sentiment, which was perfectly in keeping with the popular taste of the day. This change has been seen by many critics as a great artist selling-out, and becoming a mere populist. These attacks persist to this day. Millais also became one of the most successful portrait painters of Victorian Britain. Some of these portraits are extremely successful by whichever criteria they are judged. Physical likenesses are, it goes without saying, excellent, and the best portraits as well as being wonderfully painted, are brilliantly successful in illustrating the character of the sitter. In the painting \u003Cu\u003ETwins\u003C/u\u003E, of 1876 Millais produced a portrait of the identical daughters of a wealthy manufacturer. The markedly different characters of the confident and assertive Kate, and the more nervous introverted Edith are illustrated wonderfully well. The portrait of Tennyson, now in the Lady Lever Gallery is dramatic and powerful, and is quite simply a masterpiece. None of this is to say that the later portraits are of uniform quality. The famous painting of the dying Disraeli is a lost opportunity, and some of the pictures of children are overly-sentimental pot-boilers.\u003Cbr\u003E\u003Cbr\u003E The later paintings at their best are of great virtue. They are spontaneous, the use of paint is brilliant, with a creamy, textured surface. The reaction against Millais after his death was greatly exaggerated, and the blanket condemnation cannot be justified today. The Scottish Autumnal landscapes are also of very considerable merit.\u003Cbr\u003E\u003Cbr\u003E\u003Ccenter\u003E\u003Cb\u003EMillais The Man.\u003C/b\u003E\u003C/center\u003E\u003Cbr\u003EMillais was in essence a great craftsman, and was not in any way an intellectual. He was a Victorian: hearty, with a love of hunting, shooting, and fishing. Throughout his life he remained at heart a large enthusiastic schoolboy. He was a devoted father, and was particularly indulgent to his daughters. He had the gift of inspiring loyalty and affection amongst a wide circle of friends. Fellow artists who one would not expect to be sympathetic to Millais the artist regarded Millais the man with affection, \u003Ca href=\u0022/asp/database/art.asp?aid=72\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EEdward Burne-Jones\u003C/a\u003E was amongst his admirers. The artist himself did not feel that he had compromised his standards. In later life he said \u0022I may honestly say that I have never consciously placed an idle touch upon canvas; and that I have always been honest and hardworking.\u0022 This is not the comment of a cynical, financially motivated individual.\u003Cbr\u003E\u003Cbr\u003E In later life Millais became very materially successful, earning over \u0026pound;30,000 a year. In 1878 the Millais family moved into a vast house at 2 Palace Gate, Kensington, which had been designed and built for their use, and as an affirmation of the success of John Everett. The Scottish landscapes I mentioned above were painted during visits to a baronial house in Perthshire which Millais rented. Much of the adverse criticism directed at the artist since his death has been motivated by disapproval of his material success and ostentatious display of his wealth. In 1885 Millais became the first English artist to be made a baronet.\u003Cbr\u003E\u003Cbr\u003E\u003Ccenter\u003E\u003Cb\u003EMillais The Last Years And After.\u003C/b\u003E\u003C/center\u003E\u003Cbr\u003EIn the early 1890s the wonderful facility to paint that the artist had used to such effect for over forty years started to decline. Millais was painfully aware of this situation. In 1892 he suffered from what was at first thought to be influenza, but turned out to be the onset of throat cancer-he had for many years been a constant pipe-smoker. In 1895 Millais gave an address to the Royal Academy in the absence of \u003Ca href=\u0022/asp/dattabase/art.asp?aid=14\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003ELeighton\u003C/a\u003E. He was very hoarse and giving the speech was a considerable ordeal. When Leighton died in January 1896, the dying Millais was elected PRA in his stead. His condition deteriorated and by July he was very ill. Queen Victoria contacted the PRA and asked if there was anything she could for him. Millais asked that the Queen received his wife, who had been excluded from court circles throughout their married life, due to the scandal attached to the annulment of her marriage to Ruskin - the now rather elderly Lady Millais was duly presented at court. Millais died on the 13th August 1896. He was succeeded by \u003Ca href=\u0022/asp/database/art.asp?aid=311\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003ESir Edward Poynter\u003C/a\u003E as President of the Royal Academy. \u003Cbr\u003E\u003Cbr\u003ESince his death Millais the artist and man has consistently received severe handling from some critics. The magnificent exhibition of his portraits at the National Portrait Gallery in 1999 was the subject of much hostile comment from such luminaries as Richard Dorment in the \u003Cu\u003EDaily Telegraph\u003C/u\u003E. In reality the censure is based on disapproval of Millais the man, and of his material success. This is sad, unfair, spiteful, and unnecessary. \u003Cbr\u003E\u003Cbr\u003EJohn Millais was one of the great nineteenth century artists.\u003Cbr\u003E\u003Cbr\u003E \u003Cstrong\u003E\u003Cu\u003EAcknowledgements:\u003C/u\u003E\u003C/strong\u003E\u003Cbr\u003EOur thanks go to Paul Ripley for kindly allowing us to quote these articles from his website, \u003Ca href=\u0022http://www.victorianartinbritain.co.uk/\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EVictorian Art in Britain\u003C/a\u003E. \u003Ca href=\u0022http://www.victorianartinbritain.co.uk/\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EVictorian Art in Britain\u003C/a\u003E is a major souce of information on Millais on the internet.\u003Cbr\u003E\u003Cbr\u003E\u003Cstrong\u003E\u003Cu\u003EFurther References:\u003C/u\u003E\u003C/strong\u003E\u003Cbr\u003E\u003Cli type=\u0022square\u0022\u003E\u003Ca href=\u0022/articles/2002/Millais/obituary.asp\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EObituary of John Everett Millais\u003C/a\u003E, \u003Cu\u003EThe Times\u003C/u\u003E, 14th August 1896; with commentary by Paul Ripley. \u003Cli type=\u0022square\u0022\u003E\u003Ca href=\u0022/articles/2004/Birmingham/millais1.asp\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EReview of the Millais Exhibition\u003C/a\u003E at the Birmingham Art Gallery, by Paul Ripley\u003C/li\u003E\u003Cp\u003E","Awards":null,"HasAlbums":false,"HasPortraits":true,"HasRelationships":true,"HasArticles":true,"HasDepictedPlaces":true,"HasLetters":true,"HasLibraryItems":true,"HasProducts":true,"HasSignatures":false,"HasVideos":false,"HasMapLocations":true,"TotalArtworks":239}

Artworks
Biography
Relationships
Timeline
Suggested Readings
Library
Images of the Artist
Products
Depicted Places

A Huguenot, on St. Bartholomew's Day Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge

1852

Oil on canvas

Manson and Woods Ltd. London | United Kingdom

4 MPs

+ 1 more

The Blind Girl

1854-1856

Oil on canvas

82.6 x 62.2 cms | 32 ^1/2 x 24 ^1/4 ins

Birmingham Museums and Art Gallery Birmingham | United Kingdom

25 MPs

Autumn Leaves

1855-1856

Oil on canvas

104.1 x 73.7 cms | 40 ^3/4 x 29 ins

Manchester City Art Galleries Manchester | United Kingdom

2 MPs

The Bridesmaid

1851

Oil on panel

27.9 x 20.3 cms | 10 ^3/4 x 7 ^3/4 ins

Fitzwilliam Museum Cambridge | United Kingdom

5 MPs

+ 1 more

Mariana in the Moated Grange

1850-1851

Oil on canvas

59.7 x 49.5 cms | 23 ^1/2 x 19 ^1/4 ins

Tate Gallery London | United Kingdom

25 MPs

The Black Brunswicker

1860

Oil on canvas

Lady Lever Art Gallery Bebington | United Kingdom

2 MPs

Ferdinand Lured by Ariel

1849-1850

Oil on panel

64.8 x 50.8 cms | 25 ^1/2 x 20 ins

Private collection

4 MPs

Bubbles

1886

less than 1 MP

My First Sermon

1862-1863

Watercolour

Guildhall Art Gallery London | United Kingdom

2 MPs

My Second Sermon

1864

Watercolour

Victoria and Albert Museum London | United Kingdom

2 MPs

+ 2 more

The Order of Release, 1746

c. 1852-1853

Oil on canvas

102.9 x 73.7 cms | 40 ^1/2 x 29 ins

Tate Gallery London | United Kingdom

4 MPs

The Knight Errant

1870

Oil on canvas

184.2 x 136.3 cms | 72 ^1/2 x 53 ^1/2 ins

Tate Gallery London | United Kingdom

4 MPs

The Woodman's Daughter

1851

Oil on canvas

Guildhall Art Gallery London | United Kingdom

3 MPs

Sweetest eyes were ever seen

Oil on canvas

Private collection

2 MPs

+ 2 more

The Martyr of the Solway

1871

Oil on canvas

60.3 x 56.5 cms | 23 ^1/2 x 22 ins

Walker Art Gallery Liverpool | United Kingdom

21 MPs

+ 1 more

North-West Passage

1874

Oil on canvas

1.8 x 2 cms | 0 ^1/2 x 0 ^3/4 ins

Tate Gallery London | United Kingdom

4 MPs

+ 1 more

Cymon and Iphigenia

1848-1851

Oil on canvas

114.3 x 147.3 cms | 45 x 57 ^3/4 ins

Lady Lever Art Gallery Bebington | United Kingdom

4 MPs

+ 3 more

Lorenzo and Isabella

1849-1849

Oil on canvas

102.9 x 142.9 cms | 40 ^1/2 x 56 ^1/4 ins

Walker Art Gallery Liverpool | United Kingdom

25 MPs

+ 3 more

Apple Blossoms (Spring)

1856-1859

Oil on canvas

110.5 x 172.7 cms | 43 ^1/2 x 67 ^3/4 ins

Lady Lever Art Gallery Bebington | United Kingdom

less than 1 MP

+ 3 more

Ophelia

1851-1852

Oil on canvas

76.2 x 111.8 cms | 30 x 44 ins

Tate Gallery London | United Kingdom

34 MPs

+ 2 more

Hearts are Trumps

1872

Oil on canvas

165.7 x 219.7 cms | 65 x 86 ^1/4 ins

Tate Gallery London | United Kingdom

30 MPs

The Eve of St. Agnes

1863

Oil on canvas

Private collection

4 MPs

+ 1 more

Christ in the House of His Parents

The Carpenter's Shop

1849-1850

Oil on canvas

86.4 x 139.7 cms | 34 x 54 ^3/4 ins

Tate Gallery London | United Kingdom

12 MPs

Leisure Hours

1864

Oil on canvas

cms | ins

Private collection

4 MPs

The Piper

Oil on canvas

Private collection

2 MPs

The Return of the Dove to the Ark

1851

Oil on canvas

87.6 x 54.6 cms | 34 ^1/4 x 21 ^1/4 ins

Ashmolean Museum Oxford | United Kingdom

4 MPs

+ 1 more

The Proscribed Royalist

Oil on canvas

4 MPs

Swallow, Swallow

1864

Oil On Canvas

76 x 102 cms | 29 ^3/4 x 40 ins

Private collection

3 MPs

Joan of Arc

Oil On Canvas

Private collection

3 MPs

The Boyhood of Raleigh

1870

Oil on canvas

120.7 x 142.2 cms | 47 ^1/2 x 56 ins

Tate Gallery London | United Kingdom

4 MPs

Ursula March

Off on paper

13 x 9 cms | 5 x 3 ^1/2 ins

less than 1 MP

No!

less than 1 MP

Wedding Cards

Oil On Canvas

17 x 23 cms | 6 ^1/2 x 9 ins

Private collection

3 MPs

The Proposal

Oil on canvas

44.3 x 34.3 cms | 17 ^1/4 x 13 ^1/2 ins

Sheffield City Art Galleries Sheffield | United Kingdom

less than 1 MP

+ 1 more

The Nest

1887

Oil on canvas

128.5 x 99 cms | 50 ^1/2 x 38 ^3/4 ins

Lady Lever Art Gallery Bebington | United Kingdom

1 MPs

Othello and Desdemona

c. 1841-1843

Oil on panel

33 x 22.5 cms | 12 ^3/4 x 8 ^3/4 ins

Wightwick Manor - National Trust Wolverhampton | United Kingdom

less than 1 MP

+ 1 more

Only a Lock of Hair

1857-1858

Oil on canvas

35.3 x 25 cms | 13 ^3/4 x 9 ^3/4 ins

Manchester City Art Galleries Manchester | United Kingdom

less than 1 MP

+ 1 more

The Rescue

1855-1862

Oil on canvas

119.4 x 83.8 cms | 47 x 32 ^3/4 ins

National Gallery of Victoria Melbourne | Australia

27 MPs

Three Sword Hilts

1838-1839

Oil on canvas

33 x 23.8 cms | 12 ^3/4 x 9 ^1/4 ins

Birmingham Museums and Art Gallery Birmingham | United Kingdom

less than 1 MP

Non angli sed angeli

Oil on canvas

106.8 x 133.3 cms | 42 x 52 ^1/4 ins

Hove Museum and Art Gallery Hove | United Kingdom

less than 1 MP

Nina Lehmann

1868-1869

Oil on canvas

132 x 89 cms | 51 ^3/4 x 35 ins

less than 1 MP

Wandering Thoughts

c. 1855

Oil on canvas

35.2 x 24.9 cms | 13 ^3/4 x 9 ^3/4 ins

Manchester City Art Galleries Manchester | United Kingdom

less than 1 MP

Two Bairns

c. 1857-1858

Oil on canvas

Oldham Art Gallery Oldham | United Kingdom

less than 1 MP

The Minuet

1866

Oil on canvas

less than 1 MP

Waking

1865

Oil on canvas

90.8 x 70.5 cms | 35 ^1/2 x 27 ^3/4 ins

Perth Museum and Art Gallery Perth | United Kingdom

less than 1 MP

The Somnambulist

1871

Oil on canvas

154 x 91 cms | 60 ^1/2 x 35 ^3/4 ins

Delaware Art Museum Wilmington | United States

6 MPs

A Widow's Mite

1870

Oil on canvas

131.5 x 92.4 cms | 51 ^3/4 x 36 ^1/4 ins

Birmingham Museums and Art Gallery Birmingham | United Kingdom

less than 1 MP

Victory O Lord

1871

Oil on canvas

194.7 x 141.3 cms | 76 ^1/2 x 55 ^1/2 ins

Manchester City Art Galleries Manchester | United Kingdom

less than 1 MP

Vanessa

1868

Oil on canvas

112.7 x 91.5 cms | 44 ^1/4 x 36 ins

Sudley House, Mossley Hill Liverpool | United Kingdom

less than 1 MP

Stella

1868

Oil on canvas

112.7 x 92.1 cms | 44 ^1/4 x 36 ^1/4 ins

Manchester City Art Galleries Manchester | United Kingdom

less than 1 MP

Princes In The Tower

1878

Oil on canvas

147.2 x 91.4 cms | 57 ^3/4 x 35 ^3/4 ins

University of London - Royal Holloway Egham | United Kingdom

less than 1 MP

Puss in Boots

1877

Oil on canvas

106.7 x 79.3 cms | 42 x 31 ins

less than 1 MP

Winter Fuel

1873

Oil on canvas

194.5 x 149.5 cms | 76 ^1/2 x 58 ^3/4 ins

Manchester City Art Galleries Manchester | United Kingdom

less than 1 MP

+ 3 more

The Yeoman of the Guard

1876

Oil paint on canvas

139.7 x 111.8 cms | 54 ^3/4 x 44 ins

Tate Gallery London | United Kingdom

11 MPs

Yes or No

1871

Oil on canvas

Yale University Art Gallery New Haven | United States

less than 1 MP

Princess Elizabeth in Prison at St James’s

1879

Oil on canvas

144.7 x 101.5 cms | 56 ^3/4 x 39 ^3/4 ins

University of London - Royal Holloway Egham | United Kingdom

less than 1 MP

Meditation

1879

Oil on canvas

91.5 x 61.4 cms | 36 x 24 ins

Shipley Art Gallery Gateshead | United Kingdom

less than 1 MP

Pomona

1882

Oil on canvas

103.5 x 74.5 cms | 40 ^1/2 x 29 ^1/4 ins

less than 1 MP

Jephthah

1867

Oil on canvas

127 x 162.7 cms | 50 x 64 ins

Private collection

less than 1 MP

Ruling Passion

Oil on canvas

Private collection

4 MPs

Greenwich Pensioners At The Tomb Of Nelson

Oil on board

33 x 22.8 cms | 12 ^3/4 x 8 ^3/4 ins

Private collection

less than 1 MP

Esther

Oil on canvas

106 x 77.4 cms | 41 ^1/2 x 30 ^1/4 ins

Public collection

less than 1 MP

The Mistletoe Gatherer

1894

less than 1 MP

Saint Stephen

1895

Oil on canvas

152.4 x 114.3 cms | 60 x 45 ins

Tate Gallery London | United Kingdom

less than 1 MP

The Ornithologist

1885

Oil on canvas

160.7 x 215.9 cms | 63 ^1/4 x 85 ins

Kelvingrove Art Gallery and Museum Glasgow | United Kingdom

less than 1 MP

Speak! Speak!

Apparition

1895

Oil on canvas

167.6 x 210.8 cms | 65 ^3/4 x 82 ^3/4 ins

Royal Academy of Arts London | United Kingdom

less than 1 MP

The Sound of Many Waters

1876

Oil on canvas

57.5 x 107.8 cms | 22 ^1/2 x 42 ^1/4 ins

Fyvie Castle - National Trust for Scotland Fyvie | United Kingdom

less than 1 MP

Rosalind In The Forest

1870

Oil on canvas

22.6 x 32.7 cms | 8 ^3/4 x 12 ^3/4 ins

Walker Art Gallery Liverpool | United Kingdom

less than 1 MP

+ 2 more

The Vale of Rest

c. 1858-1859

Oil on canvas

102.9 x 172.7 cms | 40 ^1/2 x 67 ^3/4 ins

Tate Gallery London | United Kingdom

6 MPs

The Moon is Up, and Yet it is not Night

1890

Oil on canvas

104.1 x 168.9 cms | 40 ^3/4 x 66 ^1/4 ins

Tate Gallery London | United Kingdom

less than 1 MP

Clarissa

1887

Oil on canvas

146 x 94 cms | 57 ^1/4 x 37 ins

Private collection

2 MPs

Sweet Emma Morland

1892

Oil on canvas

121.3 x 90.8 cms | 47 ^3/4 x 35 ^1/2 ins

Private collection

1 MPs

Cinderella

Oil on canvas

Public collection

Credit: John Lovelady

less than 1 MP

Sleeping

Oil on canvas

89 x 68.5 cms | 35 x 26 ^3/4 ins

Private collection

less than 1 MP

Yes

1877

Oil on canvas

149.8 x 116.8 cms | 58 ^3/4 x 45 ^3/4 ins

Private collection

1 MPs

+ 2 more

Mercy: St Bartholomew's Day, 1572

1886

Oil on canvas

184.1 x 130.8 cms | 72 ^1/4 x 51 ^1/4 ins

Tate Gallery London | United Kingdom

4 MPs

Message from the Sea

Oil on canvas

99.1 x 134.6 cms | 39 x 53 ins

Collection of Fred and Sherry Ross United States

less than 1 MP

Merry

1893

Oil on canvas

91.5 x 72 cms | 36 x 28 ^1/4 ins

Public collection

less than 1 MP

Lear And Cordelia

1891

Oil on panel

27 x 23 cms | 10 ^1/2 x 9 ins

Public collection

less than 1 MP

A Dream of the Past Sir Isumbras at the Ford

1857

Oil on canvas

124 x 170 cms | 48 ^3/4 x 66 ^3/4 ins

Lady Lever Art Gallery Bebington | United Kingdom

less than 1 MP

Trust Me

Oil on canvas

Private collection

4 MPs

+ 1 more

Portia

Kate Dolan

1886

Oil on canvas

125 x 84 cms | 49 x 33 ins

Metropolitan Museum of Art Manhattan | United States

2 MPs

Glen Birnam

1890-1891

Oil on canvas

145.2 x 101.1 cms | 57 x 39 ^3/4 ins

Manchester City Art Galleries Manchester | United Kingdom

Credit: Richard Darsie

1 MPs

Pippa detail

1876

Oil on canvas

93 x 71 cms | 36 ^1/2 x 27 ^3/4 ins

Private collection

less than 1 MP

Stitch! Stitch! Stitch!

2 MPs

Waiting

1854

Oil on canvas

Birmingham Museums and Art Gallery Birmingham | United Kingdom

3 MPs

Escape of the Heretic, 1559

Museo de Arte Ponce | Puerto Rico

less than 1 MP

+ 1 more

A Souvenir of Velazquez

Oil on canvas

1027 x 824 cms | 404 ^1/4 x 324 ^1/4 ins

Royal Academy of Arts London | United Kingdom

Credit: Visipix: 500,000+ hi-res image

3 MPs

Early Days

less than 1 MP

A Lost Love

Watercolor

1 MPs

Lilacs

less than 1 MP

A Girl and a Bird

Oil on panel

less than 1 MP

Girl with a Doll

less than 1 MP

I am Never Merry when I hear Sweet Music

less than 1 MP

Christmas Eve, 1887

1887

Oil on canvas

155 x 130.8 cms | 61 x 51 ^1/4 ins

Private collection

less than 1 MP

Charlie is my Darling

1864

Oil on panel

42.5 x 26 cms | 16 ^1/2 x 10 ins

less than 1 MP

Charles I and his Son in the Studio of Van Dyck

1849

Oil on panel

15.9 x 11.4 cms | 6 ^1/4 x 4 ^1/4 ins

Tate Gallery London | United Kingdom

1 MPs

A Maid Offering a Basket of Fruit to a Cavalier

1849

Oil on panel

15.2 x 11.4 cms | 5 ^3/4 x 4 ^1/4 ins

Tate Gallery London | United Kingdom

less than 1 MP

Little Red Riding Hood

1864

Oil on panel

35.5 x 25 cms | 13 ^3/4 x 9 ^3/4 ins

3 MPs

Ferdinand Lured by Ariel

c. 1849

Oil on board

14.6 x 10.9 cms | 5 ^1/2 x 4 ^1/4 ins

Sudley House, Mossley Hill Liverpool | United Kingdom

less than 1 MP

Hurdy Gurdy Boy

1843

Oil on canvas

61 x 51 cms | 24 x 20 ins

Wednesbury Museum and Art Gallery Wednesbury | United Kingdom

less than 1 MP

+ 2 more

Pizarro Seizing the Inca of Peru

1846

Oil on canvas

15 MPs

James Wyatt and His Granddaughter Mary

1849

Oil on panel

Private collection

4 MPs

+ 3 more

Mrs James Wyatt Jr and Her Daughter Sarah

c. 1850

Oil on canvas

353 x 457 cms | 138 ^3/4 x 179 ^3/4 ins

Tate Gallery London | United Kingdom

16 MPs

+ 1 more

View Near Hampstead

Oil on panel

21 x 33 cms | 8 ^1/4 x 12 ^3/4 ins

Private collection

less than 1 MP

The Conjuror

c. 1847

Oil on canvas

35.2 x 45.5 cms | 13 ^3/4 x 17 ^3/4 ins

Norwich Castle Norwich | United Kingdom

less than 1 MP

Landscape, Hampstead

c. 1848

Oil on canvas

23.1 x 33.6 cms | 9 x 13 ins

Sudley House, Mossley Hill Liverpool | United Kingdom

less than 1 MP

Chill October

1870

Oil on canvas

141 x 186.7 cms | 55 ^1/2 x 73 ^1/2 ins

Collection of Andrew Lloyd-Webber

4 MPs

Elgiva Seized by Order of Archbishop Odo

c. 1846

Oil on millboard

31 x 46.9 cms | 12 x 18 ^1/4 ins

Birmingham Museums and Art Gallery Birmingham | United Kingdom

less than 1 MP

The Death of Romeo and Juliet

c. 1848

Oil on board

16.1 x 26.9 cms | 6 ^1/4 x 10 ^1/2 ins

Manchester City Art Galleries Manchester | United Kingdom

less than 1 MP

Happy Springtime

1875

Watercolor and gouache on paper

14 x 10 cms | 5 ^1/2 x 3 ^3/4 ins

less than 1 MP

The Enemy Sowing Tares

1865

Oil on canvas

111.8 x 86 cms | 44 x 33 ^3/4 ins

Birmingham Museums and Art Gallery Birmingham | United Kingdom

less than 1 MP

Day Dreams

1874

Oil on canvas

89.1 x 69 cms | 35 x 27 ins

Dick Institute Kilmarnock | United Kingdom

less than 1 MP

The Departure of the Crusaders

1857-1858

Oil on canvas

51.5 x 64 cms | 20 ^1/4 x 25 ins

Oldham Art Gallery Oldham | United Kingdom

less than 1 MP

+ 1 more

L'Enfant du Régiment

The Child of the Regiment

1854-1855

Oil on paper on cavas on board

46 x 62.2 cms | 18 x 24 ^1/4 ins

Yale Centre for British Art New Haven | United States

22 MPs

Cherry Ripe

1879

Oil on canvas

134.5 x 89 cms | 52 ^3/4 x 35 ins

less than 1 MP

The Crown of Love

1875

Oil on canvas

127.6 x 86.7 cms | 50 x 34 ins

less than 1 MP

The Bride of Lammermoor

1878

Oil on canvas

151.1 x 107.3 cms | 59 ^1/4 x 42 ins

Bristol Museum and Art Gallery Bristol | United Kingdom

less than 1 MP

Bright Eyes

1877

Oil on canvas

92 x 71.5 cms | 36 x 28 ins

Aberdeen Art Gallery Aberdeen | United Kingdom

less than 1 MP

The Convalescent

1875

Oil on canvas

76.8 x 64 cms | 30 x 25 ins

Aberdeen Art Gallery Aberdeen | United Kingdom

less than 1 MP

Ducklings

1889

less than 1 MP

Dropped from the Nest

1883

Oil on canvas

104 x 70 cms | 40 ^3/4 x 27 ^1/2 ins

less than 1 MP

For the Squire

1882

Oil on canvas

Fine Art Society London | United Kingdom

less than 1 MP

The Good Resolve

c. 1877

Oil on canvas

110 x 82.2 cms | 43 ^1/4 x 32 ^1/4 ins

Walker Art Gallery Liverpool | United Kingdom

less than 1 MP

Flowing to the Sea

1871

Oil on canvas

143 x 188 cms | 56 ^1/4 x 74 ins

Southampton City Art Gallery Southampton | United Kingdom

less than 1 MP

The Forerunner

1896

Oil on canvas

141.2 x 82.2 cms | 55 ^1/2 x 32 ^1/4 ins

Glasgow Art Gallery and Museum Glasgow | United Kingdom

less than 1 MP

A Young Girl Combing Her Hair

Oil on panel

16.5 x 10.9 cms | 6 ^1/4 x 4 ^1/4 ins

Private collection

less than 1 MP

A Disciple

1895

Oil on canvas

125 x 89.5 cms | 49 x 35 ins

Tate Gallery London | United Kingdom

less than 1 MP

Girl's Head

c. 1864

Oil on canvas on panel

15.2 x 12.1 cms | 5 ^3/4 x 4 ^3/4 ins

Walker Art Gallery Liverpool | United Kingdom

less than 1 MP

Little Miss Muffet

1884

less than 1 MP

+ 1 more

DewDrenched Furze

c. 1890

Oil on canvas

173.2 x 123 cms | 68 x 48 ^1/4 ins

Tate Gallery London | United Kingdom

27 MPs

Little Speedwell's Darling Blue

1892

Oil on canvas

98 x 73 cms | 38 ^1/2 x 28 ^1/2 ins

Lady Lever Art Gallery Bebington | United Kingdom

less than 1 MP

Boys Rabbiting

1892

Oil on canvas

81.5 x 74.7 cms | 32 x 29 ^1/4 ins

Oldham Art Gallery Oldham | United Kingdom

less than 1 MP

The Ransom

Oil on canvas

129.5 x 114.3 cms | 50 ^3/4 x 45 ins

Private collection

less than 1 MP

Afternoon Tea

The Gossips

1889

Oil on canvas

104.5 x 133.3 cms | 41 x 52 ^1/4 ins

Winnipeg Art Gallery Winnipeg | Canada

less than 1 MP

Lingering Autumn

1890

Oil on canvas

124.7 x 195.5 cms | 49 x 76 ^3/4 ins

Lady Lever Art Gallery Bebington | United Kingdom

less than 1 MP

A Winter's Tale

Watercolor

24.1 x 34.3 cms | 9 ^1/2 x 13 ^1/2 ins

less than 1 MP

A Flood

1870

Oil on canvas

99.3 x 144.9 cms | 39 x 57 ins

Manchester City Art Galleries Manchester | United Kingdom

Credit: Richard Darsie

2 MPs

+ 1 more

Blow, Blow Thou Winter Wind

1892-1892

Oil on canvas

108 x 155 cms | 42 ^1/2 x 61 ins

Auckland Art Gallery Toi o Tamaki Auckland | New Zealand

Credit: Richard Darsie

19 MPs

+ 1 more

Young woman at ivy & flower-encircled window

1868

Pencil drawing with blue & grey wash

less than 1 MP

The Foolish Virgins

Harvard Art Museums Cambridge | United States

less than 1 MP

Charlie is My Darling

less than 1 MP

An Idyll of 1745

1884

Oil on canvas

140 x 191 cms | 55 x 75 ins

Lady Lever Art Gallery Bebington | United Kingdom

less than 1 MP

Louise Jopling

Oil on canvas

125.1 x 76.2 cms | 49 ^1/4 x 30 ins

Private collection

4 MPs

Annie Miller

1854

Oil on panel

22.7 x 14.9 cms | 8 ^3/4 x 5 ^3/4 ins

Collection of Mr Harry Oppenheimer United States

5 MPs

+ 1 more

Miss Eveleen Tennant

1874

Oil paint on canvas

107.9 x 80 cms | 42 ^1/4 x 31 ^1/4 ins

Tate Gallery London | United Kingdom

4 MPs

Twins (Grace and Kate Hoare)

1876

Oil on canvas

154.9 x 114.3 cms | 61 x 45 ins

Private collection

less than 1 MP

+ 1 more

Miss Anne Ryan

Oil paint on canvas

55.9 x 45.1 cms | 22 x 17 ^3/4 ins

Tate Gallery London | United Kingdom

less than 1 MP

Miss Margaret Millais

less than 1 MP

Mrs William Evamy, The Artists Aunt

Oil on canvas

1 MPs

Ducklings

1889

Oil on canvas

121.7 x 76 cms | 47 ^3/4 x 29 ^3/4 ins

National Museum of Western Art Taito | Japan

9 MPs

The Captive

1882

Oil on canvas

143.6 x 106 cms | 56 ^1/2 x 41 ^1/2 ins

Art Gallery of New South Wales Sydney | Australia

17 MPs

+ 1 more

Peace Concluded

1856

46 x 116.8 cms | 18 x 46 ins

38 MPs

The Lady of Shalott

1854

16 x 24.6 cms | 6 ^1/4 x 9 ^1/2 ins

Art Gallery of South Australia Adelaide SA 5000 | Australia

9 MPs

Portrait of Mrs William Evamy The Artists Aunt

Oil On Canvas

50.8 x 61 cms | 20 x 24 ins

Private collection

3 MPs

Portrait of a Young Girl

Oil on canvas

36 x 31 cms | 14 x 12 ins

Ashmolean Museum Oxford | United Kingdom

less than 1 MP

Portrait of a Girl

Oil on canvas

19.5 x 17 cms | 7 ^1/2 x 6 ^1/2 ins

Sheffield City Art Galleries Sheffield | United Kingdom

less than 1 MP

Mrs Bischoffsheim

1873

Oil on canvas

136.4 x 91.8 cms | 53 ^1/2 x 36 ins

Tate Gallery London | United Kingdom

less than 1 MP

Self Portrait

1847

Oil on canvas

27.3 x 22.2 cms | 10 ^1/2 x 8 ^1/2 ins

Walker Art Gallery Liverpool | United Kingdom

less than 1 MP

Miss Davidson

1866

Oil on canvas

95 x 71 cms | 37 ^1/4 x 27 ^3/4 ins

3 MPs

Picture of Health, Alice, the Artist's Daughter

1874

Oil on canvas

110 x 90 cms | 43 ^1/4 x 35 ^1/4 ins

Jersey Museum and Art Gallery St Helier

less than 1 MP

The Marquess of Granby

1870

Oil on canvas

35.5 x 29.5 cms | 13 ^3/4 x 11 ^1/2 ins

Southwark Art Collection London | United Kingdom

less than 1 MP

Robert Rankin

1889

Oil on canvas

132 x 80.8 cms | 51 ^3/4 x 31 ^3/4 ins

Leighton House London | United Kingdom

less than 1 MP

Portrait of Lucy Stern

1882

less than 1 MP

Princess Marie of Edinburgh, later Queen of Romania

1882

Royal Collection, Buckingham Palace London | United Kingdom

less than 1 MP

Mrs Leopold Reiss

1876

Oil on canvas

122 x 95 cms | 48 x 37 ^1/4 ins

Manchester City Art Galleries Manchester | United Kingdom

less than 1 MP

Sisters

1868

Oil on canvas

108 x 108 cms | 42 ^1/2 x 42 ^1/2 ins

1 MPs

Mrs. Charles Werthrimer

1891

Oil on canvas

127.6 x 83.9 cms | 50 x 33 ins

less than 1 MP

Portrait Of Gracia Lees

1875

Oil on canvas

107 x 75 cms | 42 x 29 ^1/2 ins

Private collection

less than 1 MP

Mrs Isabella Elder (1828-1905)

1886

Oil on canvas

127.6 x 84.5 cms | 50 x 33 ^1/4 ins

Glasgow Museums Resource Centre Glasgow | United Kingdom

less than 1 MP

Mrs Joseph Chamberlain

1891

Oil on canvas

134.1 x 102.4 cms | 52 ^3/4 x 40 ^1/4 ins

Birmingham Museums and Art Gallery Birmingham | United Kingdom

less than 1 MP

Mary Chamberlain

1891

Oil on canvas

132.1 x 99.1 cms | 52 x 39 ins

Birmingham Museums and Art Gallery Birmingham | United Kingdom

5 MPs

+ 1 more

The Honourable John Nevile Manners

1896

Oil on canvas

127 x 81 cms | 50 x 31 ^3/4 ins

Private collection

less than 1 MP

Mamie Dickens

c. 1850-1869

Oil on canvas

45 x 35 cms | 17 ^1/2 x 13 ^3/4 ins

Charles Dickens Museum London | United Kingdom

less than 1 MP

Effie Millais, née Gray

1873

Oil on canvas

99.6 x 84.1 cms | 39 x 33 ins

Perth Museum and Art Gallery Perth | United Kingdom

less than 1 MP

Portrait of Margaret Fuller Maitland

Oil On Canvas

38.1 x 47 cms | 15 x 18 ^1/2 ins

Private collection

1 MPs

Effie with Foxgloves in Her Hair

1853

Oil on canvas

22.5 x 20.5 cms | 8 ^3/4 x 8 ins

Wightwick Manor (The National Trust) Wolverhampton | United Kingdom

less than 1 MP

Kate Perugini

1880

Oil on canvas

less than 1 MP

A Jersey Lily

Portrait of Lillie Langtry

1878

Oil on canvas

109 x 85 cms | 42 ^3/4 x 33 ^1/4 ins

Jersey Heritage Jersey

less than 1 MP

Emily Patmore

1851

Oil on canvas

Fitzwilliam Museum Cambridge | United Kingdom

less than 1 MP

John Ruskin

1854

Oil on canvas

Private collection

2 MPs

+ 1 more

Alfred Tennyson

1881

Oil on canvas

127 x 93 cms | 50 x 36 ^1/2 ins

Lady Lever Art Gallery Bebington | United Kingdom

2 MPs

Wilkie Collins

1850

Oil on panel

26.7 x 17.8 cms | 10 ^1/2 x 7 ins

National Portrait Gallery London | United Kingdom

less than 1 MP

Sir James Paget (1814–1899), Bt, Lecturer and Surgeon at St Bartholomew's Hospital

1872

Oil on canvas

126 x 100 cms | 49 ^1/2 x 39 ^1/4 ins

St Bartholomew’s Hospital Museum and Archive London | United Kingdom

less than 1 MP

Reverend John Perkins

c. 1845-1850

Oil on board

25 x 20 cms | 9 ^3/4 x 7 ^3/4 ins

less than 1 MP

Thomas Combe

1850

Oil on canvas

33 x 27 cms | 12 ^3/4 x 10 ^1/2 ins

Ashmolean Museum Oxford | United Kingdom

less than 1 MP

Thomas Oldham Barlow

Oil on canvas

100.5 x 117 cms | 39 ^1/2 x 46 ins

Oldham Art Gallery Oldham | United Kingdom

less than 1 MP

Reverend John Caird, Principal of Glasgow University

c. 1880

Oil on canvas

127 x 91.4 cms | 50 x 35 ^3/4 ins

Glasgow Museums Resource Centre Glasgow | United Kingdom

less than 1 MP

Principal John Caird

1880

Oil on canvas

127 x 92.1 cms | 50 x 36 ^1/4 ins

Hunterian Art Gallery Glasgow | United Kingdom

less than 1 MP

William Ewart Gladstone

c. 1879

Oil on canvas

61 x 50.8 cms | 24 x 20 ins

Glasgow Museums Resource Centre Glasgow | United Kingdom

less than 1 MP

Thomas Carlyle

1877

Oil on canvas

116.8 x 88.3 cms | 45 ^3/4 x 34 ^3/4 ins

National Portrait Gallery London | United Kingdom

less than 1 MP

Thomas Hyde Hills, President of the Pharmaceutical Society

1873

Oil on canvas

89 x 68.5 cms | 35 x 26 ^3/4 ins

Royal Pharmaceutical Society London | United Kingdom

less than 1 MP

Self Portrait

1878

Oil on canvas

30.5 x 21 cms | 12 x 8 ^1/4 ins

Wightwick Manor - National Trust Wolverhampton | United Kingdom

less than 1 MP

Self-Portrait

1881

Oil on canvas

The Uffizi Florence | Italy

4 MPs

Self Portrait

1883

Oil on canvas

34.5 x 29.7 cms | 13 ^1/2 x 11 ^1/2 ins

Aberdeen Art Gallery Aberdeen | United Kingdom

less than 1 MP

+ 1 more

Robert Arthur Talbot Gascoyne-Cecil, 3rd Marquess of Salisbury

1883

Oil on canvas

129.8 x 94.5 cms | 51 x 37 ins

Dover Collections Dover | United States

less than 1 MP

Sir Henry Thompson

1881

Oil on canvas

125.7 x 91.4 cms | 49 ^1/4 x 35 ^3/4 ins

Tate Gallery London | United Kingdom

less than 1 MP

Sir Richard Quain, Bt

1896

Oil on canvas

127 x 78.7 cms | 50 x 30 ^3/4 ins

Royal College of Physicians of London London | United Kingdom

less than 1 MP

Sir Robert Pullar, MP for Tayside

1896

Oil on canvas

127 x 79.3 cms | 50 x 31 ins

Perth Museum and Art Gallery Perth | United Kingdom

less than 1 MP

Edward Robert Bulwer Lytton, 1st Earl Lytton

1876

Oil on canvas

114.3 x 74.3 cms | 45 x 29 ^1/4 ins

Victoria and Albert Museum London | United Kingdom

less than 1 MP

Archibald Philip Primrose, 5th Earl of Roseberry

1886

Oil on canvas

University of Cambridge, Library Cambridge | United Kingdom

less than 1 MP

Sir Arthur Seymour Sullivan

1888

Oil on canvas

115.6 x 87 cms | 45 ^1/2 x 34 ^1/4 ins

National Portrait Gallery London | United Kingdom

less than 1 MP

Anthony Ashley-Cooper, 7th Earl of Shaftesbury, President of the Bible Society

1877

Oil on canvas

131 x 101 cms | 51 ^1/2 x 39 ^3/4 ins

University of Cambridge, Library Cambridge | United Kingdom

less than 1 MP

William Ewart Gladstone

1885

Oil on canvas

91.4 x 69.9 cms | 35 ^3/4 x 27 ^1/2 ins

University of Oxford, Christ Church College Oxford | United Kingdom

less than 1 MP

Lord Ronald Sutherland Gower (1845-1916), Sculptor and Writer

1876

Oil on canvas

61 x 45.7 cms | 24 x 17 ^3/4 ins

The Royal Shakespeare Theatre Stratford-upon-Avon | United Kingdom

less than 1 MP

James Wyatt Junior, Aged 65

1875

Oil on copper

73.5 x 61 cms | 28 ^3/4 x 24 ins

Oxford Town Hall Oxford | United States

less than 1 MP

The Artist Attending the Mourning of a Young Girl

c. 1847

Oil on board

18.7 x 25.7 cms | 7 ^1/4 x 10 ins

Tate Gallery London | United Kingdom

2 MPs

Luther Holden, Surgeon at St Bartholomew's Hospital

1880

Oil on canvas

126 x 92 cms | 49 ^1/2 x 36 ins

St Bartholomew’s Hospital Museum and Archive London | United Kingdom

less than 1 MP

Benjamin Disraeli, Earl of Beaconsfield

c. 1881

Oil on canvas

127.6 x 93.1 cms | 50 x 36 ^1/2 ins

National Portrait Gallery London | United Kingdom

less than 1 MP

John Henry, Cardinal Newman

1881

Oil on canvas

121.3 x 95.3 cms | 47 ^3/4 x 37 ^1/2 ins

National Portrait Gallery London | United Kingdom

less than 1 MP

George du Maurier

1882

Oil on canvas

34.5 x 29.7 cms | 13 ^1/2 x 11 ^1/2 ins

Aberdeen Art Gallery Aberdeen | United Kingdom

less than 1 MP

William Monteith

1854

Watercolor

Fitzwilliam Museum Cambridge | United Kingdom

less than 1 MP

Original Historical Painting

1846

Oil on board

30 x 40.5 cms | 11 ^3/4 x 15 ^3/4 ins

The Royal Society London | United Kingdom

less than 1 MP

A tiger and a sleeping lion

Watercolour, with pencil drawing beneath, on cream wove paper

280 x 370 cms | 110 x 145 ^1/2 ins

Royal Academy of Arts London | United Kingdom

3 MPs

Study of four rooks for 'Christmas Eve 1887'

Pen and ink with gouache, charcoal and pencil on thick buff coloured wove card

260 x 388 cms | 102 ^1/4 x 152 ^3/4 ins

Royal Academy of Arts London | United Kingdom

3 MPs

A rook in flight - a study for 'Christmas Eve, 1887'

Pen and ink on buff-coloured card

260 x 390 cms | 102 ^1/4 x 153 ^1/2 ins

Royal Academy of Arts London | United Kingdom

3 MPs

Study of two rooks for 'Christmas Eve 1887'

Pen and ink on buff-coloured wove card

260 x 390 cms | 102 ^1/4 x 153 ^1/2 ins

Royal Academy of Arts London | United Kingdom

3 MPs

The Wrestlers

c. 1840-1841

Watercolor

Tate Gallery London | United Kingdom

2 MPs

Music

c. 1847

Oil on canvas

38.6 x 129.5 cms | 15 x 50 ^3/4 ins

Leeds Museums and Galleries Leeds | United Kingdom

less than 1 MP

Infancy

c. 1847

Oil on canvas

38.6 x 129.5 cms | 15 x 50 ^3/4 ins

Leeds Museums and Galleries Leeds | United Kingdom

less than 1 MP

Manhood

c. 1847-1869

Oil on canvas

38.6 x 129.5 cms | 15 x 50 ^3/4 ins

Tate Gallery London | United Kingdom

less than 1 MP

Old Age

c. 1847

Oil on canvas

38.6 x 129.5 cms | 15 x 50 ^3/4 ins

Leeds Museums and Galleries Leeds | United Kingdom

less than 1 MP

Study for 'The Last Trek'

Black and white chalk on thick green/yellow wove paper

760 x 525 cms | 299 x 206 ^1/2 ins

Royal Academy of Arts London | United Kingdom

2 MPs

Preparatory drawing for 'The Ransom'

Pencil on paper

354 x 252 cms | 139 ^1/4 x 99 ins

Royal Academy of Arts London | United Kingdom

3 MPs

Drawings of a child, possibly for 'Bubbles'

Chalk on thin beige wove paper

34.5 x 24.9 cms | 13 ^1/2 x 9 ^3/4 ins

Royal Academy of Arts London | United Kingdom

3 MPs

Preparatory drawings for a portrait, possibly of Hugh Lupus Duke of Westminster

Thick buff coloured wove paper

35.1 x 25 cms | 13 ^3/4 x 9 ^3/4 ins

Royal Academy of Arts London | United Kingdom

3 MPs

Sketches of a couple fighting

Pencil on cream wove paper

355 x 253 cms | 139 ^3/4 x 99 ^1/2 ins

Royal Academy of Arts London | United Kingdom

3 MPs

"My Beautiful Lady"

1848

Pen and ink

Birmingham Museums and Art Gallery Birmingham | United Kingdom

5 MPs

Frederic George Stephens

1853

Pencil

21.6 x 15.2 cms | 8 ^1/2 x 5 ^3/4 ins

National Portrait Gallery London | United Kingdom

less than 1 MP

Elizabeth Siddal: study for Ophelia

1852

Pencil on paper

23.2 x 30.7 cms | 9 x 12 ins

Birmingham Museums and Art Gallery Birmingham | United Kingdom

4 MPs

Cymon And Iphigenia

1847

Pen and ink

25.5 x 35.5 cms | 10 x 13 ^3/4 ins

Public collection

less than 1 MP

Elgiva seized by order of Odo, Archbishop of Canterbury

1842

Pen and brown ink, laid onto c

20.5 x 30.2 cms | 8 x 11 ^3/4 ins

Birmingham Museums and Art Gallery Birmingham | United Kingdom

4 MPs

A Scene from Othello

Pencil on cream wove paper

240 x 350 cms | 94 ^1/4 x 137 ^3/4 ins

Royal Academy of Arts London | United Kingdom

3 MPs

Battle scene

Pencil on cream wove paper

249 x 345 cms | 98 x 135 ^3/4 ins

Royal Academy of Arts London | United Kingdom

3 MPs

The Disentombment of Queen Matilda

1849

Pen and ink

22.9 x 42.9 cms | 9 x 16 ^3/4 ins

Tate Gallery London | United Kingdom

less than 1 MP

Bacchanale with bagpipes

Pencil on cream wove paper

240 x 346 cms | 94 ^1/4 x 136 ins

Royal Academy of Arts London | United Kingdom

2 MPs

Childhood

Pen and black ink on cream wove paper

80 x 176 cms | 31 ^1/4 x 69 ^1/4 ins

Royal Academy of Arts London | United Kingdom

2 MPs

William Holman Hunt

1853

Pencil

23.5 x 18.9 cms | 9 ^1/4 x 7 ^1/4 ins

National Portrait Gallery London | United Kingdom

less than 1 MP

The Doll House

Etching

less than 1 MP

Old Age

Pen and black ink on cream wove paper

80 x 180 cms | 31 ^1/4 x 70 ^3/4 ins

Royal Academy of Arts London | United Kingdom

2 MPs

The Parable of the Sower

14 x 10.8 cms | 5 ^1/2 x 4 ^1/4 ins

Royal Academy of Arts London | United Kingdom

3 MPs

The Young Mother

Etching

263 x 179 cms | 103 ^1/2 x 70 ^1/4 ins

Royal Academy of Arts London | United Kingdom

3 MPs

The Parable of the Leaven

14 x 10.8 cms | 5 ^1/2 x 4 ^1/4 ins

Royal Academy of Arts London | United Kingdom

3 MPs

The Lost Piece of Silver

1864

Engraving

Tate Gallery London | United Kingdom

less than 1 MP

Moorish Chief

1879

Engraving

Public collection

Credit: John Lovelady

less than 1 MP