How Nuth would have Practised his Art upon the Gnoles

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Sidney H. Sime

1867-1941

Symbolist/Golden Age Illustratorpainter and illustrator

How Nuth would have Practised his Art upon the Gnoles


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From Dunsany's How Nuth would have Practised his Art upon the Gnoles:

"All was so silent by that unvalued house that the faded courage of Tonker flickered up, but to Nuth's experienced sense it seemed too silent; and all the while there was that look in the sky that was worse than a spoken doom, so that Nuth, as is often the case when men are in doubt, had leisure to fear the worst. Nevertheless he did not abandon the business, but sent the likely lad with the instruments of his trade by means of the ladder to the old green casement. And the moment that Tonker touched the withered boards, the silence that, though ominous, was earthly, became unearthly like the touch of a ghoul. And Tonker heard his breath offending against that silence, and his heart was like mad drums in a night attack, and a string of one of his sandals went tap on a rung of a ladder, and the leaves of the forest were mute, and the breeze of the night was still; and Tonker prayed that a mouse or a mole might make any noise at all, but not a creature stirred, even Nuth was still. And then and there, while yet he was undiscovered, the likely lad made up his mind, as he should have done long before, to leave those colossal emeralds where they were and have nothing further to do with the lean, high house of the gnoles, but to quit this sinister wood in the nick of time and retire from business at once and buy a place in the country. Then he descended softly and beckoned to Nuth. But the gnoles had watched him though knavish holes that they bore in trunks of the trees, and the unearthly silence gave way, as it were with a grace, to the rapid screams of Tonker as they picked him up from behind -- screams that came faster and faster until they were incoherent. And where they took him it is not good to ask, and what they did with him I shall not say."