by William Whitaker 2009-10-07 An oil painting demonstration by ARC Living Master William Whitaker. by Michael John Angel 2002-01-01 There has been a lot of near-nonsense written over the past few years by art historians and modern artists, neither of whom have any background in the practical aspects of realistic figure painting, about the incised lines in Caravaggio's paintings. The main idea seems to be that Caravaggio, instead of sketching his placements with a charcoal or a brush, used a sharp stick to gouge the placement lines into the plaster.... The Block In - The First Sketchby Juliette Arstides 2012-04-30 The following excerpt from Juliette Aristides book, Classical Drawing Atelier, focuses on the first stage of drawing, called "the block in".
Color -The Full Paletteby Juliette Arstides 2012-04-30 This excerpt from Juliette Aristides book, Classical Painting Atelier, focuses on color theory and its application in the creation of a painting. by Ted Seth Jacobs 2002-01-01 A Step by Step Guideby Eric Bossik 2012-01-06 The following excerpt from Eric Bossik's e-book, How To Create an Underpainting Like the Old Masters - A Step by Step Guide, focuses on how to utilize brushes when creating an underpainting. Finding Negative Shapesby Juliette Arstides 2011-11-07 The following excerpt from Juliette Aristides new book, Lessons in Classical Drawing, concerns the use of negative space in drawing. by John Angel 2009-11-23 Step by Step painting method by ARC Master Michael John Angel, Director of the ARC Approved Angel Academy of Art in Florence, Italy. Chapter 1by John Angel 2009-12-11 Read the first chapter of Pictorial Composition by Michael John Angel, ARC Living Master and Director of the Angel Academy of Art in Florence Italy by Virgil Elliott 2009-10-05 "Since I wrote my previous technical column, several important discoveries have been made that serious oil painters should know about. " Here is the 2009 update to Virgil Elliott's Technical Column on ARC. | 
